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SALAH SATU EPISODE TERSERAM!! MISTERI POCONG SUMI & EYANG PUTRI #OMMAMAT

SALAH SATU EPISODE TERSERAM!! MISTERI POCONG SUMI & EYANG PUTRI #OMMAMAT

RJL 5 - Fajar Aditya

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0:00

I saw this from the terrace. What is that? Oh, candy ghost. Like this, bro.

0:19

Huh?

0:20

Like this. It's like a monkey.

0:23

A monkey can do this?

0:24

Yes. How? Like this. like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like this, like Yes, there is Eyang Putri, she is still in the same location with Mbak Sumi. And her energy is also more powerful and also has her own characteristics. If we talk about the outfit, what kind of person Mbak Sumi is, Eyang Putri also has.

0:58

Is her energy strong?

1:00

Her energy is quite strong's not afraid to reveal himself. I'm getting goosebumps. He's... He's a bit of a show-off. Oh, really?

1:11

Yes.

1:12

I swear, he was like...

1:13

He was like a thug.

1:14

Like he was using a thug?

1:15

Yeah, yeah.

1:16

I understand.

1:17

Damn.

1:19

When there are content creators, for example, who make content and then they don't exist. That's why Pocong Sumi went viral. Maybe, maybe. And the history is not even mentioned. You're welcome. So guys, I often tell you that folklore tourism actually has benefits too. So when people come here for tourism, there are folk tales, legends, myths.

2:33

It also increases the economic value for the surrounding people. For example, the traders, because they come, so the traders are bought, then the parking workers. And the most important thing is, when the younger generation went there, besides the folklore, the history was also known. And when I was coming to the place of the Mataram Kings in Jogja, I met someone who had a phenomenon related to Pocong Sumi

3:06

which was viral on Medsos a while ago. Let's meet her. Hello, Ms. Amel.

3:14

Thank you for coming and telling us about RJL.

3:17

You're welcome. So, Ms. Amel works in a place not too far from the house of Pocong Sumi.

3:27

Yes.

3:28

And she often experiences horror events, she said.

3:31

Yes, some of my friends, colleagues, there are those who experience it, and I myself also experienced it.

3:41

What does the Pocong figure look like, Ms. Amel, at that time? How did you feel when you saw the ghost?

3:46

I'll tell you later, I'll tell you later how I met the ghost, maybe my experience will be a little different from the others.

3:58

Because it's actually said, according to other versions, Sumi is actually not a ghost, right?

4:06

Yes, more or less like that. So it's not a ghost like we know, a ghost, a ghost, a ghost, a ghost, I don't see it like that.

4:18

Okay, what do you see? Can you give us a little picture?

4:20

More like our figure, like a human being like a human. A human who wears certain clothes. Like us, we wear black clothes, black pants. He also wears his own clothes at that time. And his hair style is also like a normal human.

4:40

What do you mean by his clothes?

4:42

Like wearing a headband, using batik fabric, and so on. So, it's according to her time.

4:49

Oh, wow. And I heard that there's another character who is more powerful, which is Eyang Putri.

4:59

Yes, there's Eyang Putri. She's also still in the same location with Sumi and her energy is more powerful and she has her own characteristics like what we've talked about, her outfit, what Sumi looks like, Eyang Putri also has her own characteristics from her appearance and the story of him

5:25

Can you tell us a little bit about the character?

5:28

The character is a woman, a woman in her 60s who also wears a Javanese traditional dress a batik dress, but it's also a dress with a scarf and sometimes there's also a scarf because he used to be a dancer and a singer

5:47

I'm so nervous

5:51

Is it true that if you say his name, he can come?

5:55

It's possible

5:57

Do you often experience that?

5:58

Yes

6:00

I'm so nervous, I swear I'm not kidding I don't know if he will come or not or maybe it's just my imagination Okay, let's talk about Amel's story Guys, in this episode, I ask you to sum up the video if you haven't watched the full video Because it will be cut off later

6:17

So if you want to sum up this video I hope you watch it until it's finished so you can get the conclusion Okay, let's start The next one is the story As usual, when I'm working, I give the script and I'm told to tell the story And this Amel has been working as a journalist for quite a long time. Okay, Ms. Amel, can you tell us how it started?

6:51

The sumi story, we heard it on the media, that the story of Pocong Sumi is like this. Like what many people say oh, Sumi was a wife of a batik trader

7:10

if I'm not mistaken batik trader her job is moving moving so, Sumi's mother often lives at home

7:22

so, one day Sumi's mother really living at home. So one day, this Mrs. Sumi was really living at home. She said, I'm leaving now. Her husband ordered her

7:34

to close all the doors. He told her not to open the door because anyone would be scared. Maybe because she was his beloved wife. And then, Mrs. Sumi was very strict.

7:46

One day, she was alone at home, her husband hadn't come home yet, and there was a group of men who knocked on her door. knock, knock, knock. Knock, knock, knock. Knock, knock, knock. Who is it? My husband was scared.

8:10

He was scared. He shouted, we want to give you a message. Your husband is sick. My husband was shocked. He was shocked.

8:22

Why is my husband sick? He was worried. He hadn't been home for a while. I was worried. Someone told me, and then they opened the door. I didn't know,

8:36

the door was rattling. My husband's ashes were there. So, he was rided in his house until his body was also poisoned and his life was also destroyed. But I don't know, it's like what's circulating on social media. I've heard that too. I don't know.

9:01

It's very viral.

9:02

Yes, it was so viral. And after years, after the tragedy of Mrs. Sumi, the house was empty for a long time. Empty for a long time, for years. And there were also employees who worked in the house. They were also disturbed. working at home, it's like being disturbed, like maybe there's a smell of onions or what's the smell of pesticides or what, they believe it's Ms. Sumi's figure, but we don't know either,

9:37

and it doesn't stop there, Mas, he said that when he worked there, when he are not working there, their moments at home are still haunted by Mrs. Sumini. For example, when they are relaxing at home, suddenly there is a smell or something that surprises them. But that's what's circulating on social media and articles out there, I don't know the truth yet.

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10:10

Oh, this is a story you read?

10:12

Yes, a story I read. So, the story is a shape of a pumpkin? Yes, a shape of a pumpkin, because it looks like a white one, right? I mean, what does it look like? and maybe it also creates a scary face or something

10:32

and maybe the smell is also uncomfortable, not pleasant so it's a bit scary

10:40

Okay, what about your story?

10:42

Well, for me, because I used to work in the surrounding area. And I have a lot of friends who have experienced horror moments, including me. Like, there at that time. One day, at my workplace, it was already after hours, so I was already off work in the afternoon, and I was hanging out with my friends.

11:23

It was in the evening. It was getting more crowded at night. So after Isha, around 7 or 8 p.m., we were hanging out, drinking coffee. And coincidentally,

11:40

we were telling a horror story. So we were talking about some mysteries. We have a horror story. It's a mystery. There were four of us. I was with three of my friends. We sat on a terrace. There was a terrace next to the coffee shop.

12:00

There were four chairs. I was here, my friend was here, and the other two were here. So there were four of us. It was so fun, talking about horror movies.

12:14

It was so crowded. My friend who was sitting here said, Hey, wait a minute. Be quiet. Can you hear the music? We were surprised, where is the music?

12:29

But we heard it, so from 4 people, we heard the music. It's an old-fashioned music, like a movie, the movie The Devil's Advocate. The scene where the mother sings, the music is like that, but what we hear is just the background, there is no lyrics, no words. We were like, why is the music so old? Because it's so unique, the music is played on a blackboard,

13:11

the gramophone. And at that time, it was already night. After Isha, it's a bit unusual, people play music music at night. And because we were curious, we looked for the sound source. We followed the sound source.

13:38

We were wondering where it came from. It came from where we were sitting, we were walking a bit far. The closer we got, the more we could hear. It was about 2-3 minutes from us sitting there to the road. We were walking, and we were like, why is it getting louder?

14:00

So we were confused. Why is it getting louder? The music is getting louder. We were confused, the more we listened to it, the more intense the music became. But the sound source was from here. At that time, we thought, this is the room that was said to be the Pocong Sumi, the house of the Indies. So, we thought, it's here. After a while, we went there.

14:27

The music stopped. We couldn't hear it anymore. After that, we went back. We were like, let's go back. It was scary. We went back to our seat.

14:43

But we didn't sit down yet one of my friends who noticed the noise stopped at the door, near our seat but my position was already here. I noticed that there was a woman behind him. There was a woman who had short hair, wearing a flowery veil, wearing a batik, she was around 30 years old, 31 or 32 years old.

15:37

That's what we call Mbak Sumi. But why do you know Mbak Sumi, why do that is Mrs. Sumi, I will tell you later.

15:48

So the figure is there?

15:50

Yes, it's there, behind my friend. And my friend also said, I think Mrs. Sumi is coming. he was behind me and suddenly he was like what is it, like there was a transition, he was sticking he entered my friend's room he entered, and my friend's expression was because he was a man a man, at first he was still a bit

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16:19

what, relaxed, but then suddenly he was like like this, then straight straight, what, say this in Javanese, say this kues, kuen, ngerti meneng, rasa ribut-ribut, rasa rame-rame

16:37

meneng, like that kaget kan bang, artinya kurang lebih kaya gini if you know, you just shut up, don't fuss, don't be in a hurry. Then Mrs. Sumi said angry. Sumi was angry. And we were like, wow,

17:10

we were not being polite. We were scared. That day, the horror story was closed with an unforgettable horror experience.

17:22

When you said that, did your voice change? Did it become a girl's voice?

17:27

Not a girl's voice, but more like an angry expression. Angry. That's it. That's what I experienced at that time. What is it? Noticing. Noticing her character. I noticed her.

17:49

Although there are other experiences, her appearance is quite frequent. Because I was also often around there. I mean, my activities were mostly around that area. One time, I was about to go home from work. It was around 11 p.m.

18:22

It was around 11 PM, it was already dark and quiet. There were not many cars passing by. We were in the middle of the road, and we were about to cross the road. Suddenly, I saw a woman standing next to me. She was standing still, but her eyes were fixed on something. She was watching something.

19:00

I was a bit surprised, because it was night. But it wasn't a ghost, what I saw. It was a human-like figure. The one with the white clothes and all.

19:13

The same?

19:14

The same. Always the same. Always the same.

19:17

Did you see her face?

19:18

Yes, I saw her face.

19:20

How was it?

19:21

She had a face of a Javanese woman. The skin was pale yellow. The eyes were not narrow. Not like the eyes of an Indonesian. I was surprised to see that expression. I said, excuse me, I'm just passing by, I want to go home. So I went home, although I was a bit surprised.

19:59

I was sent home by Mrs. Sumi. That's when I was working. There were other moments when I was working. So, around the afternoon, towards Maghrib, around 5.30 or 6.00pm I was sitting in a corner where the table was quite big for 5 people I was sitting alone in that corner

20:38

There were 2 chairs, one here and one there I was sitting in front of me, there was a gadget, a tablet, I was doing my job. I was taking pictures, and suddenly I smelled the smell of Maladi. Or maybe there was a memory of it. Something like that. The description was more like Maladi. But at once, I felt it.

21:15

And I didn't miss anything. It just passed by. After that, I thought, maybe I just smelled something. I continued working. But I continued to work. But I don't know, in the corner of my eye,

21:31

I was like, what is that? Who is that? I sat at the end of the door, and in front of the door, there was a woman. I was shocked. I mean, why did he appear? His eyes were also empty, so I was here, he was here,

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21:53

facing my body, but his eyes were not to me, like empty, straight there, not to me. I was like, why? Is it because I'm here? Or is it because I'm bothering you? It's a bit embarrassing, right? It's probably because it's an area that he often goes to. And I just... I just work there.

22:21

I don't go there every day. Every time I go there, I everyday, but every time I was there. I assumed that he was bothered. I said, I'm a permissive person, I work here, I won't bother you or anyone else. We just have our own business. I was like, okay, I'll just go. Then I was like, okay, I'll just go. I was like, okay, I'll just go. Not long after,

22:48

I was gone. That was a bit surprising. Because I was alone at that time. I was sitting there alone. The table was big. I was alone.

23:00

It was sunset. I was a bit surprised.

23:04

So, you often appear at sunset and night?

23:08

Sunset and night, yes. Sunset and night, because other moments also are towards sunset or night. There were about three people in one corner of the office. I was sitting after a meeting, if I'm not mistaken, it was at night, maybe around 9 o'clock, and I was still busy with my own work, I was still the corner of my eye, a little to the right.

24:07

Eh, it's you again, Ms. Sumi. Assalamualaikum, excuse me, I'm not disturbing you. I was just being a little bit rude. And the others were like, what? Oh, it's you, Ms. Sumi. Yes, oh, excuse me, Ms. Sumi, excuse me, I'm not disturbing you.

24:24

The others immediately followed. Because they already understood that we were there in accordance with her figure. So on the one hand, they understood, but on the other hand, they were still surprised.

24:40

So what were you doing at that time?

24:46

She was standing there, but she was looking at us. At us, the people who were sitting there. So, was she really disturbing us? Was she making a fuss?

24:58

But she didn't say anything, she just looked at us.

25:00

She just looked at us. She didn't protesting or anything. Maybe they're just signaling. Maybe they're disturbed or something.

25:12

So, this phenomenon is different from the viral stories from yesterday.

25:16

Yes, it's a little different.

25:18

Because the sumi was seen not in the form of a hole like the stories from yesterday. But they said they also had experience of a hole like the stories from yesterday but he said he also has experience there is a hole there too, but later we will try to listen then what's the story again?

25:31

There was also a moment at that time in the afternoon but different location but still around my workplace, in the parking lot of the motorcycle in the parking lot of the motorcycle too and in the afternoon, maybe 4 or 5 p.m.

25:49

I wanted to take a motorcycle, I wanted to go out for a while looking for a snack, usually going to the market to look for a snack after that, I took a motorcycle next to it there was a Cambodian tree Cambodian trees that was a flowery and fragrant Cambodian tree. I took my motorcycle and there was another person under the tree.

26:15

I was surprised. But at that time, I was more surprised, I was like, why is it happening again? Because it happened few times. It was quite frequent. I saw him every now and then.

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26:30

So I was like, what's going on? I just passed by. I didn't bother him. I just passed by. I brought my motorcycle. He was here, I was on my motorcycle.

26:44

I just like this.

26:45

It was a mess.

26:47

But I was quite surprised, because in the evening, it was getting dark, and it wasn't too crowded. Because it wasn't a crowded place, it wasn't too crowded,'s not just a light crowd.

27:08

That's the thing.

27:14

And my friends also often, for Ms. Sumi, So, at certain moments,

27:32

she's marked by the smell is marked by the fragrance fragrance, not the smell of the smelly, smelly, or anything that is usually identical to the Pocong usually like that, right? well, it's more to the fragrance and the fragrance, some are just a glance, some are a little longer so still when they smell the fragrance, yes, in their hearts, they were very kind and allowed me to do so. They didn't disturb me. I was just a guest here. I didn't disturb anyone. So, you don't disturb me either.

27:58

That's what happened. So, she has been through a lot. Signs. Signs of Sumi's presence. Both smell and figure. That's it.

28:16

What about the meeting with Eang Putri?

28:20

Oh.

28:20

Before I met Eyang Putri, the first time I met Mbak Sumi was also the first time I met Eyang Putri. So, in one moment...

28:34

So, you know why Mbak Sumi is like that?

28:36

Well, this is the story, why I know Mbak Sumi is not Pocong at this moment. The first time I came to that house, I was not working there yet. I was still working somewhere else. At that moment, I was having coffee with my friends.

28:59

We had coffee from a little after noon until about four or half past four then my friend said there was an Indian house, a house that is usually visited by people who are walking around here, like that, then let's go there, then it's okay, because it's not far from the coffee shop, so it's just a footpath, a footpath, until in front of the house, there is a gate, there is a gate, then enter the gate, the guard welcomed us. He said, come in, do you want to try to enter the monggo? We said, yes, we can.

29:55

Then he allowed us to enter the terrace area of ​​this Indian house. On this terrace, the caretaker who took care of the house, Mr. Nono, gave a kind of prologue, what is the Indian house like? Because we are also curious, we have never been there, right? Then Mr. Nono explained to us that this house had a historical value.

30:30

It was the house of the first Minister of Religion of the Republic of Indonesia, if I'm not mistaken. And the house was built around 1860s, if I'm not mistaken.

30:43

Dutch era.

30:44

Yes, the Dutch era. Yes, Dutch era. And it was visible. That's why it was called an Indian house. And Mr. Nono also explained the momentum in that house. Like, this was used between this year and this year.

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31:04

So there's a replacement who lives there, then there's a moment when the house is empty for about 10 years, which is then not located or demolished, especially at the moment after the earthquake in Jogja, there were some damage in the house. Mr. Nono initiated the repair and repair of the house. In Javanese, it's called ngopeni rumah. He arranged the house so that it doesn't look like it was a mess.

31:47

When I got there, Mr. Nono was still taking care of the house. So it was open to anyone who came to know that this was Mr. Rashidi's house, who was the first Minister of Religion of Indonesia. After being explained from the historical point of view, Mr. Nono also recommended that we enter. So we can enter the house. I said, if you want to go in together, you can. But if you want to go in one by one, you can.

32:28

So I was challenged. I didn't dare to go in one by one. Because my parents' house was a bit creepy. It was not a place to live. Yes, it was not a place to live for a long time. And then, my friend and my friend, one by one, so like me and my friend,

32:49

I don't know if I dare to do it or not. Well, finally, I went in first. Okay, ma'am, please wait. I opened the door. I was opened by Mr. Nono. There were two door leaves, I opened it inside,

33:03

I went in, I saw to the left, There were two doors, and you had to go inside. You could see the left side of the building. You could see the wide window to the left. The view was towards the main road. But the assumption was that there was a wall there. There was a gap, but maybe it collapsed, so there was a gap, but maybe it was collapsed or something, so there was no gap.

33:28

Well, there was a figure of Mrs. Sumi on the window. Assalamualaikum, I said. Eh, who is this? Assalamualaikum.

33:39

Oh, she said that?

33:40

Me.

33:41

Oh.

33:42

What did you see for the first time?

33:43

Mrs. Sumi.

33:44

How was it? Me. Oh. The first time you saw her, what was she like?

33:46

She was a bit of a backstabber, so you could see her from the side. And then, like I told you, she had short hair, black, and had a lot of flowers. And her gaze was out of the window, and the view is empty. So if I describe it, it's like he's looking at someone or something. Well, if you want to match the story of Logyama, What? The story that circulates. The story that circulates, right? Oh, maybe she's...

34:25

Like that, right?

34:26

Yes, maybe she's waiting for her husband who's not coming home. At that moment, I dared to interact. So, like... Just know... Excuse me, who's your name? She said, my name is Sumi.

34:49

I live here. So I was answered. That was the first time I met Sumi. I thought, oh, this is Sumi. But it turned out to's not a prostitute. Not a prostitute, but a normal woman.

35:13

There's nothing scary about her. There's nothing... Anyway, if you look at her visually, she's not disturbing. If you look at it visually, it doesn't bother you. That was the first time I met Mrs. Sumi. That's Mrs. Sumi.

35:32

And the second one, there was another figure who was still in the same location with Mrs. Sumi. That was the door to the left. It was straight, there were two rooms facing each other. That was the room on the right. I was invited to the room on the right by Mr. Nono. What I felt was the air at home.

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36:05

The difference between the main room and the first room is that it was hot and humid. Even though the ceiling was high, it was humid and hot. But when I entered the room of the princess, it was cold and cool. But it was dark. The baby was cold and cold, but dark, really dark and what is it? Yes, maybe for many people it was scary. At that moment, I didn't meet the baby right away. I was instructed by Nono to sit on the chair.

36:50

If I dared to, I would sit down. I felt like I was touched. I felt like I hadn't seen someone for a long time. So it was like...

37:12

You sat in that room alone?

37:14

Yes, in that room alone. In that room alone. I sat there, and then... Suddenly, it was like... I was silent. Suddenly, I felt like... I was sitting like this, and suddenly,

37:30

there was a hand on my shoulder. It was written in Javanese. How are you? I said, you are so nice. So, I asked,

37:42

how are you? It was like, he met a girl he hadn't seen for a long time. He was touched and cried.

37:55

He cried?

37:56

He cried. I cried.

37:58

I swear, I don't know why I get goosebumps when you mention white people.

38:03

He cried, I cried

38:05

So, you were nervous and angry

38:07

I cried, I was so nervous and it was a long time But, this long time

38:15

I swear, I'm not lying

38:19

Right?

38:19

Yes

38:20

Let me see

38:22

Yes

38:24

Assalamualaikum, Ayah Ang Oh, someone came? Yes Let me see. Yes. Peace be upon you.

38:26

Oh, someone came?

38:28

Yes.

38:30

Where? Behind? Here?

38:38

Yes.

38:40

Wow. He felt invited. Or maybe because I was considered one of his grandchildren who met him and happened to come here and told him about him and he was also pleased to be here.

39:00

Yes, I was touched. I was touched again because her feelings were always what is it? The term is to pamper or in Javanese, it's called ngeman-neman. Ngeman-neman means being loved.

39:18

Like a granddaughter who is loved. Like someone who is taken care of. That's it.

39:24

Okay, let's go back to the first story. Okay.

39:28

You were crying, and then? I was quiet for a while. I think it wasn't too long. But it turned out that the person outside, who was waiting for me, was taking too long. It was like, than 15 minutes.

39:48

Because inside, I felt homesick. I missed him.

39:52

You didn't know him?

39:54

No. I was advised a lot of things.

39:58

You were advised?

40:00

I was advised. It was like an old lady or an old man who advised her children.

40:06

For example?

40:07

Like I said, a strong woman must have a strong heart, especially to take good care of herself, don't let anything happen, don't do anything bad because he said that now the world is getting more cruel because there are many things that are not planned and as a human being, we should be careful always be careful and aware in many things.

40:46

That's deep for me. Maybe the message was not specific to me at that time. Maybe when I told other people, maybe they will understand it as advice that can be applied to many people. So it's just general. That's when I met him. I was touched.

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41:09

I went out, still wet, with a wet face. My friend and his grandmother asked, how are you? I was touched. I talked a her a lot.

41:26

I miss her so much. I haven't met her yet. If I describe her as a human being, I think it's just money. I think it's just human. Women are around 60 years old, maybe 70 years old.

41:54

But their body is still strong. Not like old women, who are weak and not strong. Their body is a bit bulky. For my age, I was still very fit. I wore a green kebaya,

42:13

green, batik fabric, white color, white canvas, and soga, a soga brown color. It's a specialty, nowadays it's a signature of Jogja and the hair style of the Sanggul the hair is white

42:38

because it shows the age white hair, so it's like a gradation gray, white but in Sanggul, the hair is grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey hair, grey There are three. Three are embossed with a rose here. The rose is right and left. The right and left are embossed with a yellow ribbon. That's what he's showing.

43:21

Is that really strong energy? the yellow candle that's what he's looking at

43:27

is that really strong energy?

43:29

the energy is quite strong but not the negative energy it's the positive energy and it tends to affect the blue one

43:39

what was that sound?

43:44

there's a There's something moving.

43:46

Yeah, something moving. I swear I don't know if it was recorded.

43:52

Yeah.

43:53

We'll check it later. Before we continue, I've never told you this story. This is a phenomenon I experienced when I went to Indies' house. So at that time,

44:04

I didn't want to go there. I wanted to have coffee with my friend. I just knew her at that time. I went in. At first, she asked me to go to the back. I was alone.

44:18

She said, many people said, the character has a mustache. She said that the character has a mustyka mask, he said. But here, I was once pushed until I fell, he said. This is true.

44:34

This position is already... it's almost Maghrib, so it's really late. It's orange. There were two of us, I was behind. I didn't intend to make content. At first, I just wanted to have a coffee, I was invited there.

44:48

After that, I was like, oh, yeah, he told me about a big black guy, but he was a mustika. I walked in, I was alone, the glass was like,

45:06

Patriotic glass.

45:07

Yes.

45:08

Well, my friends, they sat in front of the door, and then they stayed silent for a long time. Many people, why? But what I felt at that time, this is what I felt,

45:20

I felt dizzy and wanted to throw up. There. Dizzy and want to throw up. There. I felt dizzy and wanted to throw up. I felt dizzy. Finally, he stayed there for a long time. After he

45:32

got up, I went out with him. We moved after that. I asked him, what did you experience? He didn't tell me. So, when he went there

45:46

he said he was approached by a princess the figure was not much different from what you said but when he came there was a grandma who suddenly came there suddenly

46:00

this one is a bumblebee he said it was a grandma who were called the Chinese, right? The grandparents who often said, the grandparents who often appeared in the RGL.

46:14

Oh, yes.

46:15

Appeared from there. Well, but my friend didn't notice, because he said he wanted to communicate with the princess, not with this one. But the princess said, who is that for? Next time if you want to come here again, what's the name,

46:38

like a friend of coffee, for example, bring coffee or something. But this is what he thinks. And I might be wrong. That's the position he told me. I was really busy, but I thought logically,

46:54

I'm tired, I've been going around all day. The last breath is there. This is what I just told you.

47:03

Oh, I see.

47:04

The person who talked to you said the same thing. According to them, if a girl is mentioned, she usually comes to you.

47:13

Yes.

47:14

You also think that way?

47:16

Yes, I do. Because, I don't know, what makes her always present when we talk. Maybe more to, if I'm more like, he already noticed in this case,

47:34

I'm the one he might consider his grandson, or whoever he considers his grandson, or he likes in his heart, then when he tells others, then he is present, because he feels called by his grandson. What's up, my grandson, call.

47:54

Like that. For example, the name of the parents is like, Hey, what's up, my grandson, come. Like the Javanese language is so influential. I was like, I was just looking around. I was like, where is the news?

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48:12

That's it.

48:14

You can comment below, when you were told about the sumit, and what the princess felt. Try to comment below. Okay, so what happened after that?

48:29

After that, I was still amazed and surprised. I was like, how can she interact with a blind person like that? And I was even more amazed, there were other moments when I met Putri, but in a different world. And I don't know if others have experienced it or not, but I think it's just a moment. So one day, as usual, in the afternoon and it was like a party. It was like after work, we went to play at home.

49:10

And we went inside, as usual. We went inside. But I remember that afternoon, maybe around 5.30, Mr. Nono and I went inside. In the main room, there was a flower.

49:29

It was still fresh, so I thought it was replaced. I thought it was a special day to replace the flower. I went to the nun's place. it was still the same, dark and so on, but...

49:46

Alone?

49:47

Alone. Alone again, and Eyang Putri greeted her with a greeting that I think was great. So, the way a Javanese woman gets married, the veil that is this long that from the black blue-drew, there is a gold border, maybe a gold thread, floral motif, and it's really beautiful. no, he wore a dress that was similar to his clothes, he wore a fancy fabric, there were gold dots so on the fabric, it was batik motif, but there were gold dots, basically like the characteristics of Javanese brides and the braids were also like the braids of a bride, and there were more curls

50:44

so it was as if she was in a wedding party I don't know what was the moment or maybe I didn't realize it was a Javanese market day I didn't realize it because it was just random she came there and suddenly

51:01

her outfit was like that and there were still flowers I think it's the outfit. And there are flowers, there are melati, it's cheerful, and it's also solemn, and it's more cheerful.

51:17

And it looks like a queen. Queen? Yes, it's like a queen. It's similar to a queen. Queen? Yes, like a queen. She was like a queen, but maybe not a queen yet, but maybe a queen. Or maybe a princess.

51:31

I don't know.

51:32

Princess? Not the one who interacted a lot, but she was a messenger, as usual. But the message was a bit weird at that time. Because maybe it was responding... I saw him being nervous, and then he responded to my reaction. In Javanese, it's like this.

51:58

This is what you want. This is what your heart wants. You have to do this. So, it means that it's just what it looks like in the body. In the heart, who knows?

52:10

It's like that. What is this? So I thought, where is the logic? What is it that I relate to

52:22

Eyang's advice? What did I experience I get from Eyang? Yesterday Eyang gave me some advice But, I was like, what advice did I get from him? I was like, don't judge people by their looks Don't judge people by their looks

52:42

Just by their hearts Yes, their hearts Who knows That was really... not just the cover, but the heart, who knows that was really wow so when I went there, there was something good that I got not bad, but good

52:58

that was really impressive, because it was so grand at that moment I asked for permission from Eyang can I with Eyang's body like this, I can draw

53:14

because I can draw too you can draw? but before I can draw, Eyang said how come later you're not ready until the drawing says this, mengkodise, aka later, first.

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53:26

Awak murung siap. What? I'm not ready yet. So I catch it, oh, maybe to draw this character, I have to do

53:38

a certain action or I pay attention first, maybe, not just the original image, right? To draw, yes, what is the great existence, right? Like if we are original, we are not...

53:54

What do you feel the energy at that time?

53:57

Oh, like what? Like I feel with him, with a body like that, I have a feeling of enthusiasm. Or maybe it resonates with what he feels, because it's like the logic of humans, if people are happy, great, there will be guests, there will be a celebration, right? So I was enthusiastic to welcome the guests and to do something special. But, it was because of the lockdown,

54:34

and the house was closed, I said goodbye to them. I said, thank you for meeting me again. I said, it's okay, Bali. Be careful. It's okay, go home. Be careful. That's it. I was also...

54:51

I was so confused. I don't know if other people get that moment or not.

54:58

Yes.

54:59

But, what about you, Amel? When the story about the princess holding hands, like uncomfortable, what was it like? Amel, why do you hold your hand when you tell a story about a princess?

55:08

I'm a bit shy. I'm a bit shy. When Bleo is here, I'm like his spokesperson. I'm like his representative. I'm afraid I might say something wrong.

55:22

Did he tell you anything for the RJL?

55:26

Yes.

55:28

What did he say?

55:29

Eleng dan waspada.

55:33

What does that mean?

55:34

Be careful and be alert. Stay careful and be alert. Whatever the context. Because his concern is still with the condition what is it? maybe specifically in our country

55:53

okay

55:54

he also has concerns so if I can describe he is here too his hand is like mine in the emergency room? there is a sense of anxiety like this Even though he's here, his hands are like mine. He's being cursed.

56:08

Like this.

56:12

He's more anxious than me.

56:15

Like this. As if he's watching over me, so that everything here is fine. I don't know what it is.

56:27

His specificity, I don't know what it is specifically about.

56:33

But I don't know, what I told you earlier is my friend's version. That when he met Putri, he was called by his grandmother.

56:42

He was called Simba, who also appeared.

56:45

And when he explained his characteristics it's like what I often say

56:49

Oh

56:50

Is there anything related to that?

56:53

At this moment? Yes At this moment, he just said Rescue the Sobo-Sobo It's not anyone It doesn't need to be noticed

57:04

It's enough if anyone. You don't need to be noticed. It's enough if he says it. The expression is vague, but... it's just a friend.

57:12

I've been... full of confusion. I don't know if my team is confused. Confused?

57:24

That's it. That's it, Mas. That's it, Eang Putri.

57:29

But this is like laughing at your career. I'm laughing at you, really.

57:37

Okay.

57:38

Because you...

57:42

If I can tell you more, Eang Putri also has her own taste. So, the rooms that I visited, the places where she stayed, those were retro, retro-cognition.

58:01

The rooms that were decorated retrocognition, the room is decorated according to what he likes, the layout is like a chair, mirror, what is it like, it is according to his personality and his preference as a dancer and a sinden at that time

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58:25

so if you think he Eang Putri is a dancer and a sinden

58:29

yes, a dancer and a sinden in the kingdom in the kingdom of Mataram

58:33

yes

58:35

that's it

58:37

so the plot I specifically talk about the table of riaz it's not far from the furniture itself. The wood is good, polished, smooth, and decorated with luxurious floral patterns. The mirror is also big, decorated with floral patterns. The big table, the big chair, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth, the big tablecloth the flowers in her room are always fresh in the season

59:26

so the flowers are always fresh when it's starting to wilt, she will replace it with fresh flowers and put it in a key like a pot which is also beautiful put in every corner

59:40

there are many keys and the shelf is also a luxurious shelf There were a lot of keys. And the furniture was luxurious. Especially for his mother, she lived alone at that time.

59:57

Oh, she lived alone?

59:58

Yes.

59:59

This is the phenomenon you felt, she lived alone?

1:00:01

She lived alone. It was like she was given a place by the king himself for him to live. Because he is special in the eyes of the king. Special in the eyes of the king, so that the facility he was given are also special so everything is followed if you want this or that, you are welcome

1:00:32

decorate your house as you want as comfortable as you want that's it so, assalamualaikum

1:00:44

it's shaking.

1:00:46

Outside?

1:00:48

That's it.

1:00:52

I don't know if it's recording.

1:00:54

There's a sound. That's the thing, the room where Putri lived at that time, the room was very specific the same thing happened in the other rooms in his house

1:01:12

everything was neat, beautiful, aesthetic and there were always fresh flowers that Eyang Putri likes Oh, and one of her favorite things that she always remember Peace be upon you

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1:01:33

Three times the sound, the vibration Did you hear it, Dison?

1:01:41

I heard it here

1:01:42

That's bad, it's so obvious

1:01:44

This is one of the episodes that I've been listening to since she told me about it Did you hear that? I heard it here That's so obvious This is one of the episode that I'm so nervous

1:01:50

Damn

1:01:52

Damn

1:01:54

That's Kalum Kalum Kalum with red eyes The one with 5 The one with 5 She's always used She's always used The one with 5 stars? Yes, always wear it.

1:02:08

Always wear it, because maybe it can be a gift from a special person to him. So, always wear it.

1:02:16

That's it.

1:02:18

It will never be taken off. It's admirable, this phenomenon. Although it's a bit mysterious, but I'm amazed by it.

1:02:32

But, again, this is a phenomenon that was experienced by a fortune teller. It could be right or wrong. But this is a phenomenon

1:02:44

that he experienced. Can you tell us why in the end, every human being will die. How did the princess die?

1:02:54

That's what he still doesn't want to reveal. He doesn't want to reveal.

1:03:04

I'm so nervous I'm not in the mood to reveal I'm so nervous

1:03:06

He's... He's upset Oh really?

1:03:12

I swear, he was like... Like a person who's upset

1:03:16

Yeah, I understand

1:03:20

Wait

1:03:24

Right? Yes. Yes.

1:03:25

Again.

1:03:27

Damn.

1:03:30

That's the right way to ask, right?

1:03:32

Yes.

1:03:33

Okay.

1:03:33

That's it.

1:03:34

There's no way to express his feelings. I've never asked him. Because I think that's also... If it's a human, it's private, right? Still a bit nervous.

1:03:47

Oh, nervous too?

1:03:50

It's just a bit heavy.

1:03:55

That's it.

1:03:56

So, that's how I felt. Like, you're extremely like that.

1:04:01

Yes, sir.

1:04:02

What's that about?

1:04:05

There's a bit of that's big enough to be a bit more aggressive. Maybe it's the same as your energy, sir. Your energy is like, tss, like that. It's like you're on the outside, sir.

1:04:18

It's like I'm not touching anything.

1:04:22

Well, for you, sir, I hope you won ask her that.

1:04:28

But did you see any grandmothers who were often called derjahal there?

1:04:32

Are there any now?

1:04:33

Not now.

1:04:34

Not now?

1:04:35

Maybe outside.

1:04:36

Outside? Yeah.

1:04:38

I saw them outside.

1:04:40

Outside where?

1:04:41

In the yard.

1:04:43

In the yard, I think.

1:04:44

Grandmothers? Yeah. I thought, Where? In the yard In the yard The old lady?

1:04:45

Yes

1:04:46

I thought it was in the park or something I didn't

1:04:51

Why didn't you come in?

1:04:52

In your opinion

1:04:54

I don't know Maybe because there was this guy Who didn't have the right energy

1:05:00

Yes

1:05:01

Maybe

1:05:02

But I don't know what's the truth But he didn't think that way? No Maybe, but I don't know how it is.

1:05:05

But he doesn't think that way?

1:05:07

No, because maybe it's like, well, it's just our own business.

1:05:18

I just finished shooting for Kekseptrum.

1:05:22

It's okay.

1:05:24

It's okay. It's okay. That's the phenomenon I experienced. But the grandma who's in the RJL is outside now.

1:05:32

Outside?

1:05:34

Using a tent? Yes, using a tent.

1:05:38

You saw her too?

1:05:40

Short or tall?

1:05:42

A bit tall, you said.

1:05:44

In front.

1:05:45

Did you get any message? No. Just be quiet?

1:05:49

Just be quiet.

1:05:50

It's none of your business.

1:05:53

But why? If I don't know, I mean, I don't know if it's true or not. But this is a phenomenon that is said by every narasumber or audience about RJL but if I tell my grandmother, I'm afraid, it's bad

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1:06:09

why is that?

1:06:10

maybe there are things that I see, maybe what he wants to convey but maybe he hasn't found the right way yet so it's like just a surge of energy, then a surge, then it's like a

1:06:26

swirl. There was one moment that I can never forget, so when I launched the book, Lost in the Midsummer's Eve in Bandung, that was the position of the Maghrib event. Well, when I came to the event, it was already to start, there was a manager, he said, Fajar, after the event, I want to talk to you. I thought I was going to ask you to make a comic, because this person is a comic manager. It's fun, I want to make a comic.

1:07:00

After the event, I went to the position again. Why did you ask me to make a comic? She said no. She said she had received a message. What message? If you're praying, don't rush.

1:07:17

Well, it could be...

1:07:19

Who? I asked.

1:07:21

She said she had received a message from her grandparents. What? Grandparents? Whose grandparents? Because the position was... because I was late for the event, I was late from Jakarta to Bandung. I was in a hurry at that time. But I didn't care who the grandparents were.

1:07:36

I just took the good message. Wudu and prayer, don't be in a hurry.

1:07:42

It could be one of the messages that has been delivered. One of them. Because it could be that there are some other messages that are needed. If there are still some messages like that, it means that there are still some messages that need to be delivered. And the way to reach them is different for each entity.

1:08:03

But that's also the question. Why when I went there, my friends, I don't know, I was just curious, they thought I was wrong. Why did my grandmother look at me?

1:08:16

It was so far away.

1:08:18

Yes.

1:08:19

I don't know, maybe the antenna was too close to her. Yes, it could be like that. Or it could be... I don't know. Maybe it's in the past. Or maybe it's part of the mansion. I don't know about the mansion of Mas Wajar.

1:08:37

It's clearly related to Mas Wajar personally.

1:08:42

But now he's still outside of the position. Yes. But the daughter is still inside.

1:08:49

Yes.

1:08:50

Maybe a change. Sipsi fans.

1:08:55

Well, you also experienced a phenomenon when you saw a pimp at work. Around there, right? That's right.

1:09:03

How was that? Well, it was a while ago, I was at work again, but at that time, if I'm not mistaken, it was still bright in the afternoon, although it was a bit cloudy, but it was still bright, it was still in the afternoon, I was at work with some colleagues there, Some of my colleagues were there too. We had a discussion and talked about our work. The location was on the back terrace of our workplace. There was a place to sit on the back terrace. You could sit there and relax.

1:09:38

While you were having a coffee or something else, you could sit there and relax. If you want to have a coffee or snack, you're welcome. The people behind me are very chill. At that time, there were only three of us. We were sitting there. In front of the terrace garden there is a pole

1:10:09

like a tower but for the tower, the top is a tower from this terrace I saw there

1:10:14

what is that? candy ghost

1:10:18

like this huh? like this

1:10:22

like this can you do this?

1:10:25

how? like this like this you can do this? yes

1:10:27

how? like this

1:10:29

oh

1:10:30

so you sit on the floor like this

1:10:36

what

1:10:38

it's still white it's not like the old carpets the carpets are new maybe it's high around the height of the men's standard in Indonesia, maybe 170 cm the face is, I don't have to look for a long time, because it's black, black, bad, bad, hmm and the ring is a ball well, when I saw that I was not wrong

1:11:28

I told my friend there is a Pocchi there oh yeah, there let's talk we really talk

1:11:42

we talk at that time, I still could be a way to borrow his energy for those creatures

1:11:54

for those entities so I encouraged myself to borrow his energy for him, he said so he said

1:12:04

like this so you were like this? yes, like a puppet

1:12:08

yes, and in Javanese the conversation was in Javanese I was asked by my friend but I was like a puppet but I was still

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1:12:22

like if I was borrowed the body was still half-half so i'm half-half aware so i'm still controlling myself not fully under control i'm also half-half aware

1:12:32

so i'm being asked

1:12:34

who are you?

1:12:35

who are you? he laughed

1:12:38

hehehehehe like that

1:12:40

like this

1:12:40

like... he laughed like... he laughed like a fool hahahaha I was laughing and laughing. I was asking him, why are you asking me? I was thinking, I've been here for a long time, I think I know him.

1:12:57

I asked him, why are you asking me? He said, it's okay, we can ask you. Why are you standing there? He was a protagonist. We asked him, why he was sitting on the floor. He was sitting on the floor. He was the last person who was alive

1:13:14

because of a landslide. A landslide. He was too old. He was 19 years old. He was a boy. I called him Ronnie. I'm 19 years old.

1:13:25

I call him Ronnie. He's 19 years old. He's still... He has a lot of things he wants to do, but he can't do it because his life is ending. So why is he still...

1:13:44

What is the term, like that because there are many things that he hasn't fulfilled in his life. So behind the hole there is a tragic story. There is a tragic story that makes him then can't do this and that. Which then because he can't do it for lifetime, he did it when he was cut, which was more towards Islam.

1:14:12

One of them is to scare people who pass by around my workplace, including near the location where Mrs. Sumi was. There was a moment when she told me that she was trying to get Mrs. Sumi's name to scare people. I use it to make everything scary. Like that. That's what he said at that time. If from the surrounding people, there's a story that there are people who are looking for orders

1:14:54

under the name Sumi. But no one ordered Sumi or GoFood or something.

1:15:00

That was very viral at first.

1:15:02

Yes, that. He with his smile, yes, that's me. It was a big hit back then. Yeah, and he was like, I'm the one. I'm the one. Because he felt like, let it be.

1:15:14

I'll do whatever I want. Because maybe there was something that was not fulfilled in his life that he could enjoy when he's gone and still often

1:15:29

the last time I was there, he was still there at the location he usually sits

1:15:42

Oh yes, Mrs. Sumi at that time, it was another moment, another moment. I visited there too, with my first friend who visited there too. That's because I was interacting with another figure, because there was another character there, right? who was present. Then, Mrs. Sumi was like, she was begging, begging, begging for, what is it, a shelter. So, me and my friend were talking to a certain character,

1:16:17

then, she was begging, like, what is it, saying, I'm here, I'm here, help me, I want to ask for help, but it was a bit forced. Because my friend was being bullied, so my friend asked, what do you want to ask for help? I was just helping, I asked for help, please pray for me. Then my friend said, oh, pray for me. Then my friend said, pray for me?

1:16:45

I have to know your full name and your father's name if you want to be prayed for completely so you feel more calm and peaceful. My friend was whispered like, who's full name is whispered, who's the mother, my friend.

1:17:04

I don't know who the mother is, but more or less, the full name is like many stories in one article, her name is Sumini. Her name is Sumini, and my friend and I were told the full name, the full name and the name of the parents, and prayed. I told him to pray for me and my parents. I told him,

1:17:26

I've never seen you before. I know you're a good man. I'll pray for you. But you shouldn't... Don't... Don't beg for prayers.

1:17:37

Don't do it like that. I mean, it's a bit forced. The way is more... You can do it more gently. If you pray for us, we can do it. If we are prayed for, we will definitely help. So, finally, we prayed.

1:17:50

Hopefully, by being prayed for, Mrs. Sumi can be calmer, calmer, or thankful that she's back on her feet.

1:18:00

This is really amazing, the story of Mrs, Amel. Because honestly, during this podcast, I was almost completely shocked by the phenomena that you experienced. But we also have to be fair,

1:18:19

that outside of the viral news about the Kocong Sumi house actually that house is one of the historical houses that house was once occupied by the Minister of Religion of Bung Karno area after it was not occupied, it was empty for years and the location of that house is also a place that has a history, where it is indeed a place to stand and develop the kingdom of the Islamic Mataram. And when there are content creators, for example, who make content and then don't exist, No one cares about it. That's why the viral of Pocong Sumi.

1:19:05

Maybe, it's possible. And the history is not even mentioned. Even though it's a historical place. That's why, guys. Seeing the phenomenon that was experienced by Ms. Amel, and also the history of the house,

1:19:24

do you agree or not? If I make a content there, if you want, you can leave 20.000 comments below. But, Amel, I think you have to tell us part 2 so that I know your experience. so that I know your experience.

1:19:41

Do you agree or not?

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